Sci-fi action adventure sequel to the 1982 film 'Tron'. Sam Flynn (Garrett Hedlund) is the rebellious technological whizzkid son of leading video-game developer Kevin Flynn (Jeff Bridges). After his father mysteriously disappears, Sam finds himself pulled into the dangerous virtual world that his father has been inhabiting for the past 20 years.

Along with Kevin's loyal confidante, fearless warrior Quorra (Olivia Wilde), father and son embark on a perilous journey across a terrifyingly advanced neon-lit cyber universe created by Kevin himself, populated with state-of-the-art vehicles and weapons - and a ruthless enemy who will stop at nothing to prevent their escape. Beau Garrett and Michael Sheen co-star.

Richard Jefferies (1848-87) remains one of the most thoughtful and most lyrical writers on the English countryside. He had aspirations to make a living as a novelist, but it was his short factually based articles for The Live Stock Journal and other magazines, drawn from a wealth of knowledge of the rural community into which he had been born, which when brought together in book form brought him recognition (though not wealth) and which continued to be read and admired after his early death. The Gamekeeper at Home (also reissued in this series) and The Amateur Poacher were both collections of essays in the style of reminiscences of a rural way of life which, though never idyllic, was by the 1870s beginning to undergo a period of rapid change, through both the onset of mechanisation and agricultural depression.

Richard Jefferies (1848 87) remains one of the most thoughtful and most lyrical writers on the English countryside. He had aspirations to make a living as a novelist, but it was his short factually based articles for The Live Stock Journal and other magazines, drawn from a wealth of knowledge of the rural community into which he had been born, which when brought together in book form brought him recognition (though not wealth) and which continued to be read and admired after his early death. The Gamekeeper at Home and The Amateur Poacher (also reissued in this series) were both collections of essays in the style of reminiscences of a rural way of life which, though never idyllic, was by the 1870s beginning to undergo a period of rapid change, through both the onset of mechanisation and agricultural depression.

The Story of My Heart, first published in 1883, is one of the stranger autobiographies in the English language. It describes almost nothing about the writer's life, education, family or work. Opening with a mystical experience on a green hill in the south of England seventeen years before - the date is exact, in a book that is otherwise so exalted above mere facts - it is the record of the author's striving for 'soul-life', for communion with the beauty of nature. In impassioned prose, with echoes of Blake and Shelley, Jefferies relates the history of his feeling of identification with the sun, wind, space and the pulse of natural life. The book is a prayer to the physical world, a pantheistic rejection of modern urban life and technique: 'the sun was stronger than science; the hills more than philosophy'. Some of the most striking passages in The Story of My Heart are descriptions of the controlled chaos of London, which represented for Jefferies the vortex of modern modern human life, a force that is 'driving, pushing, carried on in a stress of feverish force like a bullet'. A neglected classic of English nature writing, The Story of My Heart speaks to today's ecological concerns in the language of another era.

Richard Jefferies (1848 87) remains one of the most thoughtful and most lyrical writers on the English countryside. He had aspirations to make a living as a novelist, but it was his short, factually based articles for The Live Stock Journal and other magazines, drawn from a wealth of knowledge of the rural community into which he had been born, which, when brought together in book form, brought him recognition (though not wealth), and which continued to be read and admired after his early death. This two-volume work, first published in 1880, contains a collection of essays first published in The Standard. Jefferies describes the daily life and circumstances of Victorian English farmers, labourers and their wives without sentimentality, illustrating daily hardships as well as idyllic pastimes, and providing an accurate and thus valuable description of a now vanished way of life.

Richard Jefferies (1848 87) remains one of the most thoughtful and most lyrical writers on the English countryside. He had aspirations to make a living as a novelist, but it was his short, factually based articles for The Live Stock Journal and other magazines, drawn from a wealth of knowledge of the rural community into which he had been born, which, when brought together in book form, brought him recognition (though not wealth), and which continued to be read and admired after his early death. This two-volume work, first published in 1880, contains a collection of essays first published in The Standard. Jefferies describes the daily life and circumstances of Victorian English farmers, labourers and their wives without sentimentality, illustrating daily hardships as well as idyllic pastimes, and providing an accurate and thus valuable description of a now vanished way of life.

Richard Jefferies (1848 1887) remains one of the most thoughtful and most lyrical writers on the English countryside. He had aspirations to make a living as a novelist, but it was his short, factually based articles for The Live Stock Journal and other magazines, drawn from a wealth of knowledge of the rural community into which he had been born, which when collected in book form brought him recognition (though not wealth), and which continued to be read and admired after his early death. Wild Life in a Southern County, published in 1879, examines the habitats of the Downs and the birds and animals which live there. Written in Jefferies' highly descriptive style, these essays reveal his deep love and knowledge of the countryside. The sense of wonder evoked by the natural world, which permeates all of Jefferies' works, is fully exemplified in this volume.

Richard Jefferies (1848 1887) remains one of the most thoughtful and most lyrical writers on the English countryside. He had aspirations to make a living as a novelist, but it was his short, factually based articles for The Live Stock Journal and other magazines, drawn from a wealth of knowledge of the rural community into which he had been born, which when collected in book form brought him recognition (though not wealth), and which continued to be read and admired after his early death. The Hills and the Vale, first released in 1909, contains a collection of published and unpublished essays and articles. Written in Jefferies' highly descriptive style, these essays describe rural life and nature in England, illustrating folk traditions and important natural events in rural communities. The sense of wonder evoked by the natural world, which permeates all of Jefferies' works, is fully exemplified in this volume.

Richard Jefferies (1848 87) remains one of the most thoughtful and most lyrical writers on the English countryside. He had aspirations to make a living as a novelist, but it was his short, factually based articles for The Live Stock Journal and other magazines, drawn from a wealth of knowledge of the rural community into which he had been born, which, when brought together in book form, brought him recognition (though not wealth) and which continued to be read and admired after his early death. This volume, first published posthumously in 1892, contains a collection of essays concerning rural farmers and labourers previously published before Jefferies had achieved public recognition. Jefferies vividly describes the daily life and circumstances of Victorian English farmers, labourers and their wives without sentimentality, illustrating hardships in addition to idyllic pastimes, providing a realistic and valuable description of a now vanished way of life.

Richard Jefferies (1848 1887) remains one of the most thoughtful and most lyrical writers on the English countryside. He had aspirations to make a living as a novelist, but it was his short, factually based articles for The Live Stock Journal and other magazines, drawn from a wealth of knowledge of the rural community into which he had been born, which, when brought together in book form, brought him recognition (though not wealth) and which continued to be read and admired after his early death. This volume, first published in 1884, contains a collection of essays and articles previously published during his career. Written in Jefferies' highly descriptive style, these essays describe rural life and nature in England, illustrating folk traditions and important natural events in rural communities. The mysticism and wonder of the natural world which exemplifies Jefferies' works is fully illustrated in these essays.

If you're at the sharp end of management, juggling conflicting demands to keep your organization's promises to customers, with ever-reducing resources whilst implementing the latest digital change programme and keeping your team happy - this is the book for you. Active Operations Management gives you the framework and tools to help you take control and make the most of the evolving world of service operations. The challenges of robotics, remote working and lean operations demand a new approach to give people and organizations the confidence they need to thrive and deliver in the agile age. This ground-breaking playbook specifically addresses the practical needs of operations managers. Discover: The four critical activities for effective control, and the daily and weekly rhythms which make them effective and sustainable. Practical measures of work and performance which enable like-for-like comparisons and resource balancing across diverse teams. Real-world examples showing you how to raise productivity, improve staff engagement and wellbeing. Online resources which support your control of the truly agile operation. Neil Bentley and Richard Jeffery have spent over 30 years working with operations managers to simplify and bring structure to the challenges of managing in complex organizations. Today their Active Operations Management methodology is used by thousands of managers, raising performance and ensuring the wellbeing of those involved.

Richard Jefferies' After London is uncanny and intriguing, an adventure story, quest romance, dystopia, and Darwinian novel rolled into one, but also a pioneering work of Victorian science fiction. Imagining a mysterious natural catastrophe that plunges its people into a barbaric future, Jefferies remarkable novel drowns and destroys London and depicts a challenging 'Wild England'dominated by nature and filled with evolved animals and devolved humans. Of its time but also distinctively modern, After London can, in its uneasy expression ofVictorian and post-Victorian anxieties about industrial development, urbanisation, natural resources, and climate, be regarded as one of the first novels of the Anthropocene. This new critical edition provides one of the earliest examples of a global catastrophe novel that is part of a flowering of 19th-century science fiction. It situates After London in a tradition of mid-late Victorian texts that respond to the evolutionary theories of Charles Darwin and Alfred Russel Wallace and responds to a host of other key social, political, and cultural issues of the period.

While browsing a Stonington, Maine, bookstore, Brooke Williams and Terry Tempest Williams discovered a rare copy of an exquisite autobiography by nineteenth-century British nature writer Richard Jefferies, who develops his understanding of a "soul-life" while wandering the wild countryside of Wiltshire, England. Brooke and Terry, like John Fowles, Henry Miller, and Rachel Carson before, were inspired by the prescient words of this visionary writer, who describes ineffable feelings of being at one with nature. In an introduction and essays set alongside Jefferies' writing, the Williams share their personal pilgrimage to Wiltshire to understand this man of "cosmic consciousness" and how their exploration of Jefferies deepened their own relationship while illuminating dilemmas of modernity, the intrinsic need for wildness, and what it means to be human in the twenty-first century.

Terry Tempest Williams is the author of fourteen books including "Refuge: An Unnatural History of Family and Place" and "When Women Were Birds." Recipient of numerous fellowships and awards, she teaches at Dartmouth and the University of Utah where she is the Annie Clark Tanner scholar in the environmental humanities graduate program. Her work has been anthologized and translated worldwide.

Brooke Williams has spent thirty years advocating for wildness, most recently with the Southern Utah Wilderness Alliance and as executive director of the Murie Center in Moose, Wyoming. He is the author of four books including "Halflives: Reconciling Work and Wildness," and dozens of articles. Brooke and Terry have been married since 1975. They live with their dogs in Jackson, Wyoming, and Castle Valley, Utah.
Praise for Terry Tempest Williams' "When Women Were Birds"
"Williams displays a Whitmanesque embrace of the world and its contradictions...As the pages accumulate, her voice grows in majesty and power until it become a full-fledged aria." --"San Francisco Chronicle"
Praise for Brooke Williams' "Halflives: Reconciling Work and Wildness"
..".a compact yet breathtaking treatise." --"Publishers Weekly"

Richard Jefferies (1848 1887) remains one of the most thoughtful and most lyrical writers on the English countryside. He had aspirations to make a living as a novelist, but it was his short, factually based articles for The Live Stock Journal and other magazines, drawn from a wealth of knowledge of the rural community into which he had been born, which when collected in book form brought him recognition (though not wealth), and which continued to be read and admired after his early death. Wild Life in a Southern County, published in 1879, examines the habitats of the Downs and the birds and animals which live there. Written in Jefferies' highly descriptive style, these essays reveal his deep love and knowledge of the countryside. The sense of wonder evoked by the natural world, which permeates all of Jefferies' works, is fully exemplified in this volume.

Richard Jefferies' After London is uncanny and intriguing, an adventure story, quest romance, dystopia, and Darwinian novel rolled into one, but also a pioneering work of Victorian science fiction. Imagining a mysterious natural catastrophe that plunges its people into a barbaric future, Jefferies remarkable novel drowns and destroys London and depicts a challenging 'Wild England' dominated by nature and filled with evolved animals and devolved humans. Of its time but also distinctively modern, After London can, in its uneasy expression of Victorian and post-Victorian anxieties about industrial development, urbanisation, natural resources, and climate, be regarded as one of the first novels of the Anthropocene. This new critical edition provides one of the earliest examples of a global catastrophe novel that is part of a flowering of nineteenth-century science fiction. It situates After London in a tradition of mid-late Victorian texts that respond to the evolutionary theories of Charles Darwin and Alfred Russel Wallace and responds to a host of other key social, political, and cultural issues of the period.